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Telling the stories of young refugees in a range of international settings, this book explores how newcomers navigate urban spaces and negotiate multiple injustices in their everyday lives, giving voice to refugee youth from a wide variety of social backgrounds.
Refugee children --- Teenage refugees --- Cities and towns. --- Social justice. --- Social conditions --- Social conditions.
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In 1991, Snezana Zabic lost her homeland and most of her family's book and record collection during the Yugoslav Wars that had been sparked by Slobodan Milosevic's relentless pursuit of power. She became a teenage refugee, forced to flee Croatia and the atrocities of war that had leveled her hometown of Vukovar. She and her family remained refugees in Serbia until NATO bombed Belgrade in 1999. After witnessing the first nights of NATO's bombing, Zabic took flight again. She moved from country to country, city to city, finally settling in Chicago. She realized -- reluctantly, because she didn't want to relive the past -- that she had to write about what had happened, what she had left behind, and what she had lost. Broken Records is the story of this loss, told with unflinching honesty, free of sentimentality or sensationalism. For the very first time, we learn how it felt to be first a regular teenager during the breakup of Yugoslavia and the ensuing wars, and then a 30-something adult, perennially troubled by one's uprooted existence. Broken Records is not a neat narrative but a bit of everything -- part bildungsroman, part memoir, part political poetry, part personal pop culture compendium. And while Zabic represents a Yugoslav diasporan subject, her book also belongs to an international generation whose formative years straddle the Cold War and the global reconfiguration of wealth and power, whose lives were spent shifting from the vinyl/analog era to the cyber/digital era. This generation knows that when they were told about history ending, they were told a lie.
Yugoslavs --- Popular culture --- Refugees --- Teenage refugees --- Yugoslav War, 1991-1995 --- Youth. --- Žabić, Snežana, --- memoir --- fiction --- discography --- Yugoslav Wars
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In 1991, Snezana Zabic lost her homeland and most of her family's book and record collection during the Yugoslav Wars that had been sparked by Slobodan Milosevic's relentless pursuit of power. She became a teenage refugee, forced to flee Croatia and the atrocities of war that had leveled her hometown of Vukovar. She and her family remained refugees in Serbia until NATO bombed Belgrade in 1999. After witnessing the first nights of NATO's bombing, Zabic took flight again. She moved from country to country, city to city, finally settling in Chicago. She realized -- reluctantly, because she didn't want to relive the past -- that she had to write about what had happened, what she had left behind, and what she had lost. Broken Records is the story of this loss, told with unflinching honesty, free of sentimentality or sensationalism. For the very first time, we learn how it felt to be first a regular teenager during the breakup of Yugoslavia and the ensuing wars, and then a 30-something adult, perennially troubled by one's uprooted existence. Broken Records is not a neat narrative but a bit of everything -- part bildungsroman, part memoir, part political poetry, part personal pop culture compendium. And while Zabic represents a Yugoslav diasporan subject, her book also belongs to an international generation whose formative years straddle the Cold War and the global reconfiguration of wealth and power, whose lives were spent shifting from the vinyl/analog era to the cyber/digital era. This generation knows that when they were told about history ending, they were told a lie.
Yugoslavs --- Popular culture --- Refugees --- Teenage refugees --- Yugoslav War, 1991-1995 --- Youth. --- Žabić, Snežana, --- memoir --- fiction --- discography --- Yugoslav Wars
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Teenage refugees --- Refugees --- Somali American teenagers. --- Bantu-speaking peoples --- Somalis --- Refugee teenagers --- Teenagers, Somali American --- Teenagers --- Bantus --- Ethnology --- Somal --- Somali --- Somalians --- Somals --- Cushites --- Cultural assimilation --- Social life and customs.
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"Based on extensive ethnographic fieldwork in Brisbane, Australia, Belonging and Becoming in a Multicultural World provides a critical analysis of the shortcomings and underpinning contradictions of modern multicultural inclusion. It demonstrates how creating a sense of identity among young Sudanese and Karen refugees is a continual process shaped by powerful social forces." -- Publisher's website.
Teenage refugees --- Assimilation (Sociology) --- Multiculturalism --- Group identity --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- Cultural assimilation --- Anthropology --- Socialization --- Acculturation --- Cultural fusion --- Emigration and immigration --- Minorities --- Refugee teenagers --- Refugees --- Social Science --- Emigration & Immigration
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In 1991, Snezana Zabic lost her homeland and most of her family's book and record collection during the Yugoslav Wars that had been sparked by Slobodan Milosevic's relentless pursuit of power. She became a teenage refugee, forced to flee Croatia and the atrocities of war that had leveled her hometown of Vukovar. She and her family remained refugees in Serbia until NATO bombed Belgrade in 1999. After witnessing the first nights of NATO's bombing, Zabic took flight again. She moved from country to country, city to city, finally settling in Chicago. She realized -- reluctantly, because she didn't want to relive the past -- that she had to write about what had happened, what she had left behind, and what she had lost. Broken Records is the story of this loss, told with unflinching honesty, free of sentimentality or sensationalism. For the very first time, we learn how it felt to be first a regular teenager during the breakup of Yugoslavia and the ensuing wars, and then a 30-something adult, perennially troubled by one's uprooted existence. Broken Records is not a neat narrative but a bit of everything -- part bildungsroman, part memoir, part political poetry, part personal pop culture compendium. And while Zabic represents a Yugoslav diasporan subject, her book also belongs to an international generation whose formative years straddle the Cold War and the global reconfiguration of wealth and power, whose lives were spent shifting from the vinyl/analog era to the cyber/digital era. This generation knows that when they were told about history ending, they were told a lie.
Yugoslavs --- Popular culture --- Refugees --- Teenage refugees --- Yugoslav War, 1991-1995 --- Yugoslav War, 1991-1995 --- Yugoslav War, 1991-1995 --- memoir --- fiction --- discography --- Yugoslav Wars --- Youth. --- Refugees --- Žabić, Snežana,
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